With her sculptural work, underpinned by architectural theory and how the body encounters space and materiality, Madeline Cardone explores the notion of ‘glass as skin’, as a way of conveying an experience of space and bodily memory, as well as our inherent connection with both the built and natural environments. Her works frame the interplay of light, shadow in sculptural, tangible form to contemplate how the physical and intangible aspects of human experience are shaped by the spaces, moments and memories we inhabit. Madeline often works to develop experimental and unconventional ways of making with her materials, with an inherent sensitivity towards subtle surface and refined form.